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Posts by Katie H
Kazimieras “Kaz” Zemeckis was bound for the stars. At least, that was the plan before a bird strike on a routine fighter training flight left him with a glass eye and a job shepherding astronauts through the sort of space flights he was supposed to be on himself. By 1973, the Apollo missions are winding down as budget cuts take their toll, but the Apollo 18 trip promises to be like no other.
I think it’s pretty safe to say that we’d like to have Mary Roach in our high school science classes. Her ‘can-you-believe-this’ odd factoid interjections would likely liven up most classrooms while making those facts that teacher presents stick all the better.
It may seem incongruous that The Ninth Hour, Alice McDermott’s exquisite family saga of faith, sacrifice and grace, should begin with a suicide. When Jim shoos his young wife Annie out of their Brooklyn tenement to do some shopping, locks the door behind her and turns on the gas, it looks as bleak as could be for the young widow. Early-twentieth century Brooklyn is a tough place for its many inhabitants, and particularly so for a young Irish widow with a baby on the way.
PI Nils Shapiro has seen some dirty crime scenes, but none like this. In an otherwise immaculate house in Minneapolis’s snobbiest suburb, there are heaps of vacuum bag dust—and under one of those heaps is the corpse of Maggie Somerville, freshly divorced and Edina’s first murder victim in decades. The killer obviously knew what he/she was doing—the presence of so much dust makes forensic analysis impossible and an overnight snowstorm obliterated any exterior trails. This seemly impossible case is the set up for Matt Goldman’s debut Gone to Dust.
Mystery devotees could long argue over what period represented the peak era of American noir/mystery writing, but it’s likely all would agree that the 1940s would be high on everyone’s list. With such luminaries as Rex Stout, Raymond Chandler, and Dorothy Hughes established and up and comers Mickey Spillane and Jim Thompson making their mark in the pulp magazines, the culture of World War II America was ripe for literary inspiration.
After the hellish experience of the past few years, Aki Ito finally feels like it might be possible to be happy again. She and her parents are about to leave Manzanar, the California desert internment camp into which her family and other Japanese-Americans were forced by the government following Pearl Harbor, for an unfamiliar Chicago neighborhood the government has deemed acceptable for ‘resettlement’.
Agent Fatma el-Sha’arawi, special investigator with the Egyptian Ministry of Alchemy, Enchantments and Supernatural Entities, knows she’ll need all those magical elements, and a few more, to get to the bottom of the latest investigation to cross her desk. The bodies of several prominent Cairenes, most European, are discovered burned to death at the mansion of a powerful Englishman, apparently gathered as part of a secret society. But these are not just any burns. The unfortunates had all their flesh burned away, but none of their clothing.
Single motherhood with the responsibilities of earning enough to support several generations—it’s a situation not unfamiliar to many modern women. It’s the situation Christine de Pizan lives in, but her world—1393 Paris—is far from modern in Tania Bayard’s debut In the Presence of Evil. As an educated woman, Christine is already something of an oddity, but growing up as both beloved daughter and widow of scholars employed in the French court has given her a chance to earn her living as a scribe and support her children and mother.
It was perhaps inevitable that the same year that sports stopped cold in its tracks, The Best American Sports Writing would mark its last year.
In the current romance publishing climate, it’s not unusual for ‘debut’ authors to have multiple titles in print through self-publishing houses before they’re picked up by conventional publishers. While the quality of self-published titles are definitely hit-or-miss in terms of quality, self-publishing gives authors the possibility of publishing stories that traditional publishers pass on or to hone their writing chops in different directions.
